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Bach Bibliography Search Result |
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| Type | List | Author  | Title[further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Satterfield, John R. | Aspects of style in the two-part Inventions as revealed by a study of accentuation. Chapel Hill: University of North Carolina. | diss. |
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| | 2. | Lorenzen, Johannes | Max Reger als Bach-Bearbeiter. PhD diss., Musicology, Freiburg im Breisgau, 1976. | diss. |
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| | 3. | Bolen, Jane | The Five Berlin Cembalo Concertos, P. 390, of John Christian Bach: A Critical Edition. PhD diss., Musicology, Florida State University, 1974. | diss. |
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| | 4. | Mohr, Ernst Werner | Die Allemande in der deutschen Klaviersuite. Basel, Univ., Diss., 1927 [1931]. - Inaug.-Diss. Basel. Von der philologisch-historischen Abteilung der philosophischen Fakultät der Universität Basel bewilligter Teildruck aus: 'Die Allemande, eine Untersuchung ihrer Entwicklung von den Aufängen bis zu Bach und Händel' (Vollst. im Buchh. b. Hug, Zürich). - Zürich: Buchdruckerei Berichthaus, 1931. 2p. l., p. [115]-143, [2] p. | diss. |
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| | 5. | Swack, Jeanne | The Solo Sonatas of Georg Philipp Telemann: A Study of the Sources and Musical Style. PhD. diss., Yale University, 1988. | diss. |
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| | 6. | Barros, Nicolas de Souza | A adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. [The adaptation of the lute works of Johann Sebastian Bach for alto guitar: A hybrid model] Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1993. 2 vols. | diss. |
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| | 7. | Eichberg, Hartwig | Johann Sebastian Bach, Einzelnstehende Suiten, Sonaten, Variationen und Capricci für Klavier: Untersuchungen zur Überlieferung und Edition. Tübingen Uni. 1973. | diss. |
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| | 8. | Hanson, J. | An Operational approach to a theory of rhythm. Yale Uni. 1969. | diss. |
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| | 9. | Peters, Manfred | Die Dispositio der römischen Oratorie als Beitrag zum Formverständnis ausgewählter Instrumentalfugen von Johann Sebastian Bach. PhD, Technische Universität Dresden, 2004. | diss. |
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| | 10. | Engler, Klaus | Georg Poelchau und seine Musikaliensammlung. Ein Beitrag zur Überlieferung Bachscher Musik im 19. Jahrhundert. Tübingen 1970. (Druck 1984) | diss. |
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| | 11. | Janeck, Johannes | Die Musikhandschrift Mus.ms.A6 im Thüringischen Landesmusikarchiv Weimar als Quelle der kirchenmusikalischen Praxis in Mitteldeutschland um 1800. Weimar, 2013. [BWV deest Emans 30] | diss. |
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| | 12. | Falck, Myron | 17th-Century Contrapuntal Theory in Germany. Eastman school of the Univ. of Rochester, 1964. 1965. | diss. |
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| | 13. | Corneilson, Paul Edward | Opera at Mannheim, 1770-1778. PhD diss., Music: U. of North Carolina, Chapel Hill, 1992. UMI DA9309859 | diss. |
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| | 14. | Bynum, Leroy Evans, Jr. | The first Berlin lieder school: The early development of German art song. DMA doc., Music: U. of Georgia, 1992. UMI DA9316313 | diss. |
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| | 15. | Lamprecht, Gideon Pieter | Vertolkings van Johann Sebastian Bach se vrye orrelwerke: 'n Stylkritiese analise van bestaande plaatopnames en Bach-edisies. [Interpretations of Johann Sebastian Bach's free organ works: A critical analysis of existing recordings and Bach-editions] MMus, University of the Orange Free State, 1978. | diss. |
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| | 16. | Marinho Silva Carvalho, Helena Paula | J.C. Bach's London keyboard sonatas: Style and context. PhD diss., University of Sheffield, 2003. | diss. |
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| | 17. | Hong, J. L. | Musical expression in performance: An analysis of recorded performances of J.S. Bachs Sarabande from the C major Cello Suite BWV 1009. MPhil diss, University of Birmingham, 2003. | diss. |
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| | 18. | Yang, Junfeng | Bahe b xiaodiao misaqu de ticai guishu ji shenxue neihan. [The genre characteristics and theological content of Bach's Mass in B minor] MA diss., Wuhan Yinyue Xueyuan, 2003. | diss. |
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| | 19. | Thomas, P. | The Anglicisation of Bach. MA diss., University of Wales at Cardiff, 1998. | diss. |
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| | 20. | Stange-Elbe, Joachim | Analyse- und Interpretationsperspektiven zu Johann Sebastian Bachs 'Kunst der Fuge' mit Werkzeugen der objektorientierten Informationstechnologie. Univ. Osnabrück, Habil.-Schr., 1999. | diss. |
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| | 21. | Fuchs, Josef Rainerius | Studien zu Artikulationsangaben in Orgel- und Clavierwerken von Joh. Seb. Bach. PhD diss. Universität Tübingen 1984. | diss. |
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| | 22. | Moseley, Rowland | The Art of Gigue: Perspectives on Genre and Formula in J. S. Bach's Compositional Practice. PhD diss., Harvard University, 2014. | diss. |
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| | 23. | Son, Se Ra | Figures of Musica Poetica in the Passacaglias of Dieterich Buxtehude and J. S. Bach. DMA diss., University of Cincinnati, 2012. | diss. |
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| | 24. | Mills, Ian | The historical position and reception of J. S. Bach's 'Great Eighteen' and Orgelbüchlein Choralvorspiele, 1750-1850. PhD diss., Queen's University Belfast, 2016. | diss. |
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| | 25. | Riedel, Herbot Hugo | Recognition and Re-cognition: Bach and The Well-tempered Clavier I. PhD diss., Berkeley: University of California 1969. | diss. |
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| | 26. | Schleuter, R. F. | Johann Sebastian Bach and the Protestantism of his day. PhD diss., University of Edinburgh, 1955. | diss. |
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| | 27. | Dickreiter, Michael | Der Musikbegriff bei Johannes Kepler. PhD diss. Ruprecht-Karl-U. Heidelberg, 1971. | diss. |
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| | 28. | Knox, Robert Erskine | Aeolus Appeased: A Modern Scenographic Concept. diss. Carbondale: Southern Illinois U, 1991. | diss. |
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| | 29. | Muller, Stephanus Jacobus van Zyl | An interpretative analysis of the Capriccio in B flat major, BWV 992, by J. S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano. MMus diss., University of South Africa, 1997. | diss. |
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| | 30. | Bamberg, Joachim | Die Botschaft der Kantate: eine musiko-theologische Analyse der Kantaten Johann Sebastian Bachs zum 6. Sonntag nach Trinitatis. Doctoral thesis. Eberhard Karls Universität Tübingen, 2004. | diss. |
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| | 31. | Yagi, Tomoko | Bach no Goldberg Hensokyoku no Kenkyu. [A Study on Bach's Goldberg Variations] MA diss., Gifu Seitoku Gakuen Daigaku, 1999. | diss. |
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| | 32. | Ishikawa, Miyuki | J. S. Bach no Junankyoku oyobi Oratorio ni okeru Alto Solo no Yakuwari to Igi ni kansuru Kenkyu. [A Study on the role of Alto Solo and its significance in J. S. Bach's Passions and Oratorios] MA diss., Tokyo Gakugei daigaku, 1999 | diss. |
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| | 33. | Park, Dohee | J. S. Bach: Han'onkaiteki Gensokyoku to Fuga (BWV 903) no Kaishaku. MA diss., Tokyo Gakugeidaigaku, 1999. [Interpreting the Chromatic Fantasy and Fugue (BWV 903) by J. S. Bach] | diss. |
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| | 34. | Hofman-Jablan, Jadranka | Simetrijska analiza elemenata i strukture muzickog dela. [The symmetric analysis of the elements and structure of a musical composition] PhD diss., Musicology: Akademija Umetnosti, Novi Sad, 1995. [BWV 846/1] | diss. |
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| | 35. | Winzenburger, Walter P. | The Music of Franz Tunder. University of Rochester, Eastman School of Music, 1965. | diss. |
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| | 36. | Crickmore, Leon | C.P.E. Bach: Six harpsichord concertos. [Wq. 43] MA thesis, Musicology: U. Birmingham, 1956. [Revised version of article published as 'C.P.E. Bach's harpsichord concertos', MLetters, XXXIX/3 (July 1958) 227-241] | diss. |
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| | 37. | Greenbaum, Sarah | Metrical Displacements in the 'Well-Tempered Clavier': a Study of Rhythm in the Fugal Genre. MA Diss., Ramat-Gan: Bar-Ilan University, 1994. | diss. |
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| | 38. | Butler, Gregory G. | The Canonic Sequence in Theory and Practice: A musical-rhetorical study of its origins, and development in keyboard music to 1750. PhD. University of Toronto, 1973. | diss. |
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| | 39. | Velten, Klaus | Schönbergs Instrumentationen Bachscher und Brahmscher Werke als Dokumente seines Traditionsverständnisses. PhD diss., Universität Köln 1976. | diss. |
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| | 40. | Petzoldt, Martin | Studien zur Theologie im Rahmen der Lebensgeschichte Johann Sebastian Bachs. Dissertation B. - Leipzig: Karl-Marx-Universität 1985 [maschinenschr.] vii, 161, A 59 Bl. | diss. |
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| | 41. | Houle, George L. | The Musical Measure as Discussed by Theorists from 1650 to 1800. Stanford Univ., 1960. | diss. |
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| | 42. | Blechschmidt, Eva Renate | Die Amalien-Bibliothek. Musikbibliothek der Prinzessin Anna Amalia von Preußen (1723-1787). Historische Einordnung und Katalog mit Hinweisen auf die Schreiber der Handschriften. diss., Berlin, 1693. | diss. |
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| | 43. | McLean, Cynthia | Some relationships in the keyboard music of J.C. Bach and W.A. Mozart, 1765-1776. MM diss.: Florida State University, Tallahassee, 1973. | diss. |
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| | 44. | Thompson, William Forde | Judgements of key change in Bach chorale excerpts an investigation of the sensitivity to keys, chords, & voicing. PhD. Queen's University at Kingston, 1986. | diss. |
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| | 45. | Bertling, Rebekka | Das Arioso und das ariose Accompagnato im Vokalwerk J. S. Bachs. Dissertation Universität Kiel 1990. | diss. |
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| | 46. | Marais, Bernese | The ternary sonata principle from 1731 to 1765: C. P. E. Bach. PhD diss., University of Port Elizabeth, 1976. | diss. |
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| | 47. | Van Wyk, Theodore Justin | A comparative study of registration practices in selected organ works of Johann Sebastian Bach (1685-1750) based on recordings made by Marie-Claire Alain and Jacques van Oortmerssen. MMus diss., University of Pretoria. 2000. | diss. |
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| | 48. | Löhlein, Heinz-Harald | Johann Sebastian Bach, Orgelbüchlein (BWV 599-644), Schübler-Choräle (BWV 645-650), Choralpartiten (BWV 766-768, 770). Quellenkritische Untersuchung und Edition. PhD. Tübingen, 1978. | diss. |
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| | 49. | Schaeffer, John Gerhardt | The Influence of the Late Baroque Instrumental Concerto on Bach's Free Forms for Organ and Clavier. DMA diss., Performance, University of Illinois. 1970. | diss. |
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| | 50. | Sweetkind, David | Allegro and Adagio Rhythmic Style in the Instrumental Works of J. S. Bach. PhD diss., Tallahassee: Florida State University, 1968. | diss. |
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| | 51. | Gilvin, Sue McGehee | The Alto Solo Cantatas of J. S. Bach; Francis Poulenc's Melodies - a Mastery of Vocal Writing; Schumann Song Cycles Frauenliebe und Leben. Evanston; Chicago: Northwestern University, 1973. | diss. |
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| | 52. | Rudy, Helen E. | A Study of the Chorale Tune 'Nun komm der Heiden Heiland' and its Treatment by Selected Composers of the Baroque Period. Tallahassee: Florida State University, 1973 | diss. |
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| | 53. | Abramowitz, Jonathan | A Performance Edition of the 'Drei Sonaten für Clavier und Viola da Gamba' of J. S. Bach. N. Y.: The Juilliard School 1973. [BWV 1027-1029] | diss. |
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| | 54. | Rideout, Sarah Margaret | Johann Sebastian Bach's solo cantatas for soprano. Tallahassee, The Florida State Univ. 1974. | diss. |
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| | 55. | Hochstetter, Armin Caspar | Die Symmetrie im Aufbau der Orgelpräludien von Joh. Seb. Bach. Diss. Wien, 1928. | diss. |
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| | 56. | Dixon, Michelle Garner | A performer's study of selected organ compositions by Johann Sebastian Bach. Diss. Forth Worth, Tex., Southwestern Baptist Theological Seminary 1982. | diss. |
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| | 57. | Allt, W. Greenhouse | The organ and its music from medieval times to Johann Sebastian Bach. MusD diss., University of Edinburgh, 1930. | diss. |
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| | 58. | Gillingham, B. R. | J. C. Bach's third set of keyboard concertos: a socio-musical study. MMus diss., King's College London, 1970 | diss. |
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| | 59. | Wiley, Christopher | Re-writing composers' lives : critical historiography and musical biography. PhD diss., Royal Holloway, University of London, 2008. | diss. |
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| | 60. | Roberts, A. P. | Contrapuntal analysis of the canons in J. S. Bach's 'Musical Offering'. MMus diss., King's College London, 1973. | diss. |
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| | 61. | Thomas, John Hugh | The opus 3 symphonies of John Christian Bach (with a critical edition). MA diss., Cardiff University, 1972. | diss. |
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| | 62. | Philips, Eric W. | Johann Christian Bach, the six keyboard concertos op.1: a dissertation and critical edition. MA diss., University of Cardiff, 1980. | diss. |
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| | 63. | Williams, Peter J. | The performance of dotted rhythms and upbeat figures in J. S. Bach with particular reference to his organ music. MA diss., University of Leeds, 1977. | diss. |
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| | 64. | Park, Joon Ja Yang | The interpretation of the ornaments in J. S. Bach's 'Well-tempered Clavier'. MMus. diss., Reading Univ., 1984. | diss. |
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| | 65. | Spence-Thomas, Karen | J. S. Bach's Partita no. 3 in E major, BWV 1006: an analysis. MMus. diss., King's College, London, 1983. | diss. |
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| | 66. | Owen, Jonathan | The computer implementation of harmonic analysis of the chorales of J. S. Bach. PhD diss., Musicology, University of London, 1982. | diss. |
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| | 67. | Summers, Mary Lois | The use of the soprano voice by J. S. Bach as exemplified by the nine solo soprano cantatas. DMA diss., Forth Worth, Tex., Southwestern Baptist Theological Seminary 1982. | diss. |
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| | 68. | Murata, Margaret | Extravagant Harmony and Dissonance in Early 'Seicento' Keyboard Music: 'Stravaganze' and 'Durrezze e ligature'. M.A. diss., Univ. of Chicago, 1971. | diss. |
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| | 69. | Queiroz, Flavio Jose Gomes de | Aprendendo contraponto atraves dos preludios corais. [Learning counterpoint through the chorale preludes] Mestrado, U. Federal da Bahia, 1996. | diss. |
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| | 70. | Reid, Andrew | Keys and behavioural trends: An investigation into the relationship between choice of key and compositional strategies in the cantatas of J.S. Bach. MPhil thesis, U. of Cambridge, 1995. | diss. |
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| | 71. | Langdown, Christopher | Sviatoslav Richter's interpretative response to J.S. Bach: A selective study. MMus diss., Royal College of Music, London, 1995. | diss. |
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| | 72. | Brink, Arend | Die gebruik van basstrykinstrumente in geselekteerde werke van J. S. Bach. [The use of bass string instruments in selected works of J.S. Bach] MM, University of the Orange Free State, 1992. | diss. |
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| | 73. | Tessmer, Manfred | Johann Sebastian Bach: Dritter Teil der Clavierübung. I. Kritischer Bericht. 2. Notenband. Hamburg 1967. | diss. |
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| | 74. | Tatlow, Ruth Mary | LUSUS POETICUS VEL MUSICUS. Johann Sebastian Bach. The Baroque Paragram and Frederich Smend's theory of a musical Number Alphabet. PhD diss., London U., King's Col. 1987. | diss. |
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| | 75. | Orgass, Stefan | Disposition und Ausarbeitung in Bachs späten Clavier-Werken (1739-1749). Essen Folkwang Hochschule, 1994. | diss. |
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| | 76. | Fellmann, Peter | Orchestersuiten der Bach-Zeit. PhD diss., Musicology, Bochum. 1990 | diss. | 
'year' unconfirmed | ||||
| | 77. | Zweimüller, Maximilian | Zum Zeitmaß in J. S. Bachs Sechs Sonaten für zwei Claviere und Pedal (Sechs Triosonaten für Orgel): Studien zu historischen Tempoaussagen und gegenwärtigen Erkenntnissen über integer-valor-bezogene Zeitmassgestaltung bei Bach. PhD diss., Musicology, Salzburg. 1991. | diss. |
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| | 78. | Burkert, Georg | Gottfried Benjamin Hancke. Ein schlesischer Spät-Barockdichter. Breslau, Phil. Diss. v. 20. Dez. 1933. - Frankenstein i.Schl.: Frankenst. Ztgs- u. Dr.-Ges., 1933. vi, 63p. | diss. |
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| | 79. | Sandberger, Wolfgang | Das Bach-Bild Philipp Spittas. PhD diss., Musicology, Univ. of Hamburg, 1994. | diss. |
'year' conjecture | ||||
| | 80. | Meffen, John | The Temperament of Keyboard Instruments in England from the Virginalists to the Middle of the Nineteenth Century. PhD diss., Univ. of Leeds, 1977. | diss. |
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| | 81. | Kac, Juliet | The painting of music--the music of painting: The relationships between music and painting, with special reference to Kupka and my personal practice. PhD diss., University of Brighton, 2003. | diss. |
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| | 82. | Müller-Buscher, Henning | Studien zu den Choralbearbeitungen Georg Böhms (1661-1733). Dissertation, Regensburg 1972. | diss. |
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| | 83. | Grubbs, John Whitfield | The sacred vocal music of the Graun brothers: A bio-bibliographical study. Los Angeles, Univ., Ph. Diss., 1972. - Nachdr.: Ann Arbor, Mich.: Univ. Microfilms International, 1984, R/1990. 2 vols: xvi, 555p; vii, p.556-1331. | diss. |
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| | 84. | Johnson, Margaret Louise | Knowledge formalization and representation of the dynamics of expressive musical performance. PhD, Computer sci: City University of New York, 1991. | diss. |
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| | 85. | Brandt, T. | Johann Christoph Oley: Erschließung biographischer Dokumente aus dem Archiv der Reformierten Gemeinde in Aschersleben. Schriftliche Diplomarbeit zur B-Prüfung für Kirchenmusik, Evangelische Hochschule für Kirchenmusik, Halle 2000. | diss. |
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| | 86. | Uhl, Danny John | Articulation in the Performance of the Subjects of J. S. Bach's Organ fugues: a Study of Melody and Rhythm. DMA diss., University of Kentucky, 1979. | diss. |
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| | 87. | Fall, Henry Cutler | A Critical-Bibliographical Study of the Rinck Collection. MA. diss., Yale Univ., 1958. (type script) | diss. |
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| | 88. | Heller, Karl | Die deutsche Vivaldi-Überlieferung. Untersuchungen über die in deutschen Bibliotheken handschriftlich überlieferten Konzerte und Sinfonien Antonio Vivaldis. Univ. Rostock, 1965. | diss. |
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| | 89. | Nieden, Hans-Jörg | Philipp Wolfrum, Untersuchungen zur Bachrezeption um die Jahrhundertwende. PhD diss., Musicology: Universität Heidelberg, 1974. | diss. |
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| | 90. | Kaiser, Rainer | Tintenanalytische Untersuchungen an Bachschen Originalhandschriften mit Hilfe reflexionsspektroskopischer Methoden. Ein Beitrag zur archäometrischen Bach-Forschung. PhD diss., Berlin: Technische Universität. 1987 | diss. |
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| | 91. | Bioules, Agathe | L'évolution de langage contrapuntique de Mozart autour de l'année 1782: L'influence conjuguée de J. Haydn et J.S. Bach. [The development of Mozart's contrapuntal language around the year 1782: The joint influence of J. Haydn and J.S. Bach] Maitrise, U. de Paris IV [Paris-Sorbonne], 1993. | diss. |
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| | 92. | Lewis, Pauline Mary | The fourteen last rondos of C.P.E. Bach: An investigation into their historic position, their form and their style. MMus diss., Rhodes University, 1988. | diss. |
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| | 93. | Connolly, Aisling | The contribution of Dr Joseph Groocock to music education in Ireland (1935–1997). MA diss., Musicology from St. Patricks College, Dublin, 2005. | diss. |
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| | 94. | Altenburg, Detlef | Untersuchungen zur Geschichte der Trompete im Zeitalter der Clarinblaskunst (1500-1800). Dissertation. Universität Köln. 1973. | diss. |
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| | 95. | Diehl, Eleonore | Das Rezitativ bei Bach. Wien, 1936. | diss. |
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| | 96. | Hughes, Jennifer | Bach's Keyboard music in England and Germany, 1770-1850. MA, diss., Leeds Univ. 1985. | diss. |
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| | 97. | Boresch, Hans-Werner | Studien zur Instrumentation Johann Sebastian Bachs. PhD diss., Musicology, Wuppertal, 1990. | diss. |
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| | 98. | Higuchi, Ryuichi | Johann Sebastian Bachs Kirchenkantaten zu Trauerfeiern und zu anderen nicht an das Kirchenjahr gebundenen Bestimmungen. Edition und kritischer Bericht. PhD diss., Musicology, Tübingen, 1979. | diss. |
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| | 99. | Schaap, Elizabeth Maria | Barokartikulasie en -vingersetting vir die klavierbegeleier: 'n Toepassing in die fluitsonate in E-mol (BWV 1031) van J. S. Bach [Baroque articulation and fingering for the piano accompaniment: an application in the flute sonata in E minor (BWV 1031) by J.S. Bach] MMus thesis, Univ. of Pretoria, 1996. | diss. |
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| | 100. | Van Wyk, Theodore Justin | The Harmonische Seelenlust (1733) by G.F. Kauffmann (1679-1735): A critical study of his organ registration indications. DMus (Performing Art). University of Pretoria, 2005. | diss. |
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| | 101. | Matyl, Ulrich | Die Choralbearbeitung für Orgel im Umkreis der Schüler J. S. Bachs. PhD diss., Musicology, Westfalische Wilhelms-U. Münster. 1995. | diss. |
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| | 102. | Cooper, David Thomas | Bach cello suites transcribed and edited for trumpet and Bach cello suites 1-3, performed on trumpet. DMA diss., Univ. of Wisconsin, Madison, 2001. Advisor: John E. Aley. | diss. |
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| | 103. | Gerstung, Denman Wayne | Performance Practice of Multiple Stops in the Sonatas and Partitas for Unaccompanied Violin of J.S. Bach. DMusEd diss., The University of Oklahoma, 1970. | diss. |
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| | 104. | Mason, Christine M. | Ritornello form in movements for chorus and orchestra by J. S. Bach. Diss. MA., Wales, Cardiff. 1967/68. | diss. |
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| | 105. | Norrback, Johan | J. S. Bachs preludium i h-moll, BWV 544 -- En analys. Unpublished Master diss., Helsingfors, 1991. | diss. |
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| | 106. | Cano, Gines-Didier | Johann Sebastian Bach Concerti in E major and F minor (BWV 1052 and 1056) Restructured as Bassoon Concerti. DMA document, Manhattan School of Music, 1990. OCLC#: 22959342 | diss. |
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| | 107. | Havard, Royston R. | The forms of Ritornello in the instrumental music of J. S. Bach. diss., MA., Wales, Cardiff, 1964/65. | diss. |
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| | 108. | Tate, Elda Ann | Bach cantata movements suitable for flute transcription. 2 Vols. The Univ. of Texas at Austin, 1974. | diss. |
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| | 109. | Kelsey, Verne | The Use of the Diminished-Seventh Chord in the Recitatives of Bach's Church Cantatas. D. F. A. diss., Chicago Musical College, 1951. [submitted on June 6, 1950] | diss. |
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| | 110. | Ito, Eiko | J. S. Bach 'Mubanso Cello Kumikyoku' ni kansuru Kenkyu: Enso, Gakufu nado no Rekishiteki Jokyo ni tsuite. [A study on J. S. Bach 'unaccompanied Cello Suites': historical situation on issues relating to performance and editions] PhD thesis, Tokyo National University of Fine Arts and Music, 1987. 2 vols. | diss. |
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| | 111. | Levy, Mark H. | The Well-Tampered Clavier: Authenticity and performing style in editions of Bach's Wohltemperiertes Clavier. MMus diss., King's College, University of London, 1987. | diss. |
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| | 112. | Hartung, Günther | Johann Friedrich Reichardt (1752-1814) als Schriftsteller und Publizist. Halle a. d. S. 1964. | diss. |
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| | 113. | Adler, Gerhard | Symbols of Transformation vol.5 of the Collected works of C. G. Jung. N.Y. Pantheon, 1956. | diss. |
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| | 114. | Scheibe, Beate | Bachs Weimarer Orgelbüchlein. Studien zu ausgewählten Beispielen. Magisterarbeit Kiel 1995, maschinenschr. | diss. |
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| | 115. | Geuting, Matthias | Studien zu den schnellen Sonaten- und Konzertsätzen von Johann Sebastian Bach. PhD diss., Musicology, Bochum. 2000 | diss. |
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| | 116. | Pretorius, Estelle | Musiek-allegoriese elemente in twee kantates van J. S. Bach: 'n Studie in woord-toonverhoudinge. [Music allegorical elements in two cantatas of J.S.Bach: a study in word-painting] MM, University of Pretoria, 1992. | diss. |
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| | 117. | Buelow, George J. | Johann David Heinichen, 'Der General-Bass in der Composition': a Critical Study with Annotated Translation of Selected Chapters. PhD. New York University, 1961. | diss. |
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| | 118. | Benitez, Vincent P. | Musical-rhetorical figures in the 'Orgelbüchlein' of J.S. Bach. diss. 1985 | diss. |
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| | 119. | Constantini, Franz-Peter | Die Entwicklung der Versettenkomposition vom ausgehenden Mittelbarock bis zum Rokoko. Wien: 1967. | diss. |
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| | 120. | Owens, William Steven | A solo woodwind transcription of J. S. Bach's 'Concerto No 4' BWV 1055. Louisville, Ky., The Southern Baptist Theological Seminary 1980. | diss. |
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| | 121. | Schwarz, Peter | Studien zur Orgelmusik Franz Liszts. Ein Beitrag zur Geschichte der Orgelkomposition im 19. Jahrhundert. PhD diss. Musicology: Freie Universität Berlin, 1971. - München: Katzbichler, 1973. (= Berliner musikwissenschaftliche Arbeiten, 3) | diss. |
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| | 122. | Smith, Mark Mervyn | The violoncello with special reference to Bach's 6 suites for violincello unaccompanied. [MA?] Diss. Bedford Parks, S. A., Flinders Univ. 1979/80. | diss. |
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| | 123. | Böhnert, Andreas | Studien zum Klavierwerk Wilhelm Friedemann Bachs. PhD diss., Musicology, Univ. of Hamburg, 1992. | diss. |
'year' conjecture | ||||
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| | 161. | Koehler, William Alan | The late independent keyboard rondos of Carl Philipp Emanuel Bach. DMA diss., University of Texas, Austin, 1986. 102p. [DA 8700318.] | diss. | 102p |
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| | 162. | Häcker, Werner | Erbeadaption im Sozialismus. Das B-A-C-H-Motiv im Musikschaffen der DDR. Diplomarbeit. Berlin: Humboldt-Universität 1977. 102p. | diss. | 102p |
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| | 163. | Rixman, Eunice Elizabeth | The sacred cantata God hath awakened the Lord, by Carl Philipp Emanuel Bach, in relation to its performance. DMA diss., Church music: University of Southern California, 1969. 2v. 103; 50 p. | diss. | 103, 50 p |
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| | 164. | Loeser, Annekatrin | Annäherung an Rezeptionsvorgänge. Aspekte der Bach-Rezeption Robert Schumanns. PhD diss., Berlin: Humboldt-Universität, 1986. 103p | diss. | 103p |
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| | 225. | Alleln, Horst | Das Verhältnis Musik-Mathematik bei Johannes Kepler. Ein Beitrag zur Musiktheorie des frühen 17 Jahrhunderts. University of Urlangen, 1970. | diss. | 128p |
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| | 226. | Roseman, Molly Roberts | Arthur Loesser: Pianist, teacher, critic, author. DM diss., Florida State University, 1998. 128p. - Ann Arbor, MI: University Microfilms International, 1999. ISBN: 0-599-09802-3, Dissertation No: 9911448. | diss. | 128p |
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| | 227. | Edelstein, Heinz | Die Musikanschauung Augustins nach seiner Schrift 'De musica'. Freiburg i.B., Phil. Diss. v. 3. Febr. 1929. - Ohlau in Schles.: Eschenhagen, 1929. 128p. - Mikrofiche-Ausg.: Freiburg: Univ.-Bibl., 1990. | diss. | 128p |
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| | 228. | Poglitsch, Michael | Aufführungspraktische Untersuchungen zur Motette 'Singet dem Herrn ein neues Lied' (BWV 225) von Johann Sebastian Bach. Diplom-Arbeit. Wien: Hochschule für Musik und Darst. Kunst 1990. 128p. | diss. | 128p |
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| | 229. | Smith, Charles Justice, III | Patterns and strategies: four perspectives of musical characterization. PhD diss.: University of Michigan, 1980. 130p. - Dissertation Abstracts International, 41-09A, p. 3776, AAF8106229. | diss. | 130p |
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| | 230. | Katz, Sonia | Um estudo sobre os aspectos tecnicos e interpretativos da terceira partita para violino solo de Johann Sebastian Bach. [Technical and interpretative issues in the partita no. 3 for violin solo by Johann Sebastian Bach] Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1991. 130 p. | diss. | 130p |
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| | 231. | Tan, Siok Lian | The Influence of the Nineteenth-Century Bach Revival Movement on the piano Works of Felix Mendelssohn-Bartholdy, Robert Schumann, Clara Wieck-Schumann, and Johannes Brahms. DMA diss, University of Cincinnati, 1998. 130p (See DissAbstracts 59/05-A, 1395) | diss. | 130p |
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| | 232. | Lusted, Luke Alan | J.S. Bach's BWV 232: Augmented Sixth Chords in the Symbolum Nicenum as Structural and Theological Unifying Factors. DMA diss., The University of Arizona, 2015. 131p. | diss. | 131p |
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| | 233. | Grossman, Robert | The lute suite in G minor BWV 995 by Johann Sebastian Bach: A comparison of the autograph manuscript and the lute intabulation in Leipzig, Sammlung Becker, MS.III.11.3. DM doc. diss., Performance practice: Indiana Univ., 1987. 131p. | diss. | 131p |
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| | 234. | Herrmann, Matthias | Der Komponist Rudolf Mauersberger (1889 -1971): Untersuchungen zum handschriftlich überlieferten instrumentalen Frühschaffen und zum vorwiegend unveröffentlichten vokalen Hauptwerk; mit systematisch-chronologischem Werkverzeichnis (RMWV). Hochschulschrift: Leipzig, Univ., Habilschr., 1992. Teil 1: 133, [17] Bl; Teil 2: 198 Bl. | diss. | 133, 198p |
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| | 235. | Massenkeil, Günther | Die oratorische Kunst in den lateinischen Historien und Oratorien Giacomo Carissimis. Mainz, Phil. F., Diss. v. 29. Jan. 1953 (Nicht f. d. Aust.) - 1952. 133, 46 gez. Bl. mit eingekl. Notenbeisp. [Maschinenschr.] | diss. | 133, 46p |
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| | 236. | Bubar, Cheryl Ann | Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. DMA thesis, The University of Oklahoma, 2003, viii, 133p. - Ann Arbor, MI: University Microfilms International, 2003. ISBN: 0-496-30745-7. Dissertation No: 3082934. | diss. | 133p |
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| | 237. | Edwards, Mark Douglas | A Performer's Study of Three Organ Sonatas from the Eighteenth to the Twentieth Centuries: Bach, Mendelssohn, and Hindemith. DMA doc.: Southwestern Baptist Theological Seminary, 1993, 133p | diss. | 133p |
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| | 238. | Feil, Arnold | Satztechnische Fragen in den Kompositionslehren von F. E. Niedt, J. Riepel und H. Chr. Koch. Hochschulschrift: Heidelberg, Univ., Diss., 1954. 134p. - druck Heidelberg, 1955. | diss. | 134p |
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| | 239. | Miesner, Heinrich | Philipp Emanuel Bach in Hamburg. Beiträge zu seiner Biographie und zur Musikgeschichte seiner Zeit. Berlin, Phil. Diss. v. 5. März 1929 [1930]. - Heide (Holst.): Sund, (1929). vii, 134p, 12Bl. (Notenbeisp) - Auch im Buch.; Leipzig: Breitkopf & Härtel, 1929. vii, 134p, [24]p. - Reprint from Wiesbaden: Sandig, 1969. 134p. | diss. | 134p |
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| | 240. | Siedentopf, Henning | Beobachtungen zur Spieltechnik in der Klaviermusik Johann Sebastian Bachs. PhD diss. Tübingen 1966. 135p (type written) | diss. | 135p |
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| | 241. | Kruse, Hermann | Die Chorwerke von Moritz Hauptmann (1792–1868). PhD diss., Universität Dortmund, 2004. 135p. | diss. | 135p |
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| | 242. | Barnett, Joan | Wilhelm Friedemann Bach: An analytical study of selected solo keyboard works. MA diss, Music: Brigham Young University, 1990. 136p. | diss. | 136p |
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| | 243. | Stammen, Dale R. | Timewarp: A computer model of real-time segmentation and recognition of melodic fragments. PhD diss., Music: McGill University, 2000. 137p. | diss. | 137p |
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| | 244. | Dadelsen, Georg von | Alter Stil und alte Techniken in der Musik des 19. Jahrhunderts. Freie Universität Berlin, Phil. F., Diss. v. 13. Okt. 1951 (Nicht f. d. Aust.). - 138 gez. Bl. [Maschinenschr.] (unpublished) | diss. | 138p |
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| | 245. | Nail, James Isaac | The concept of developing variations as a means of producing unity and variety in Schoenberg's Theme and variations, op. 43a. DMA diss.: University of Texas, Austin, 1978. 138p. | diss. | 138p |
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| | 246. | Wenk, Alexander | Beiträge zur Kenntnis des Opernschaffens von J. Christian Bach. Diss., Frankfurt am Main, 1932. 138p. | diss. | 138p |
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| | 247. | Harlow, Julia Tikker | A musician's introduction to Baroque dance. DMA doc., U. of Oregon, 1993. 139p. | diss. | 139p |
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| | 248. | Giuffrida, Antonio | Passio secundum Marcum di J.S. Bach. lau, Stor. del' mus.: Universita degli Studi di Catania, 1989-90. 139p. [BWV 247] | diss. | 139p |
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| | 249. | Chiang, Shih-yi | Brandenburg Concerto No. 6 in B-flat major by Johann Sebastian Bach: A new arrangement transcribed for two pianos. DMA, City University of New York, Graduate Center, 2007. 139p. | diss. | 139p |
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| | 250. | Ellefson, Randi von | A stylistic comparison of two cantata settings based on the chorale 'Nun komm, der heiden Heiland' by G. P. Telemann and J. S. Bach. DMA doc., Performance practice: Arizona State Univ., 1987. 140p. [DA 8805471.] | diss. | 140p |
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| | 251. | Chien, Martin Ying-Tsai | A Performer's Study of Selected Compositions by Johann Sebastian Bach and Ferderico Moreno Torroba. DMA diss., Southwestern Baptist Theological Seminary, 1998. 142p. Advisor: William Mac Davis. | diss. | 142p |
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| | 252. | Gross, Steven Lee | The Evolution and Nomenclature of Bach's Horn Parts. DMA doc., Univ. of Cincinnati, 1994. 143p | diss. | 143p |
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| | 253. | Valentin, Erich | Die Entwicklung der Tokkata im 17. und 18. Jahrhundert (bis J. S. Bach). München, Univ., Diss., 1928. - Münster (Westphalia): Helios-Verlag, 1930. v, 145p. [Ein Teil der Arbeit Diss, München] (= Universitas-Archiv: 45 [Musikwissenschaftliche Abteilung, 6]) | diss. | 143p |
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| | 254. | Rabin, Judy Ellen | An annotated chronological bibliography of literature and editions of 'Das Wohltemperierte Clavier'. MA thesis, State University of New York at Binghamton, 1975, 144p. | diss. | 144p |
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| | 255. | Malth, Rainer | Zur Funktion der Werke Johann Sebastian Bachs im Prozeß der Entwicklung musikalischer Begabungen. Leipzig: Karl-Marx-Universität, 1982. 144p. | diss. | 144p |
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| | 256. | Mahlberg, Daniel Sakari | The Baroque continuum: The influence of the 'Praeludien' from Bach's 'Well-Tempered Clavier' on Chopin's Preludes, Op. 28. MA diss., California State University, Dominguez Hills, 2007. 144p. | diss. | 144p |
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| | 257. | Jung, Ja Young | Preludes in all twenty-four major and minor keys, op. 67, by Johann Nepomuk Hummel: An investigation and analysis. DMA diss, City University of New York, Graduate Center, 2001. 144p. - Ann Arbor, MI: University Microfilms International, 2001. ISBN: 0-493-50734-5. Dissertation No: 3037408. | diss. | 144p |
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| | 258. | Piersig, Fritz | Die Einführung des Hornes in die Kunstmusik und seine Verwendung bis zum Tode Joh. Seb. Bachs: Ein Beitrag zur Geschichte d. Instrumentation. Halle, Phil. Diss. v. 7. Jan. 1927. - Halle a. S.: Max Niemeyer, Halle 1927. 144p. | diss. | 144p |
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| | 259. | Bormann, Oskar | Johann Nepomuk Schelble, 1789 - 1837: Sein Leben, sein Wirken und seine Werke. Ein Beitrag zur Musikgeschichte in Frankfurt am Main. Inaugural-Dissertation zur Erlangung der Doktorwürde der Hohen Philosophischen Fakultät der Universität Frankfurt vorgelegt von Oskar Bormann aus Höchst a. M. 1928. 145p. | diss. | 145p |
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| | 260. | Pinegar, Sandra | Perspective on the musical essays of Lorenz Christoph Mizler (1711-1778). MA thesis. North Texas State University, 1984. 145p. UM: MA 1323637. | diss. | 145p |
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| | 261. | Gingrich, M. Linda | The seen and the unseen: Hidden allegorical links in the Trinity season chorale cantatas of J.S. Bach. DMA diss., University of Washington, 2008. 146p. Ann Arbor, MI: University Microfilms International, 2008. ISBN: 978-0-549-49562-8. Dissertation No: 3303284. | diss. | 146p |
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| | 262. | Sanders, Morgan Shawn | The use of twentieth-century string techniques in solo violoncello music by Texas composers (1977-1987): From a performer's approach. DMA doc., Music: U. of Texas, 1992. 146p. UMI DA9225785 | diss. | 146p |
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| | 263. | Brockhoff, Maria-Elisabeth | Studien zur Struktur der italienischen und deutschen Triosonate im 17. Jahrhundert. Münster, Phil. u. naturwiss. F., Diss., 1944 (Nicht f. d. Austausch). - (Münster, 1944). 147 gez. Bl. [Maschinenschr.] | diss. | 147p |
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| | 264. | Bullivant, Roger | The fugal technique of J. S. Bach. DPhil diss., Oxford University, 1960. 3 v. (749 leaves; [213] p) | diss. | 1498p |
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| | 265. | Morozov, Serhii | The evolution of the genres of classical piano sonata and piano concerto in the works of D. Scarlatti, C.P.E. Bach, J.C. Bach, J. Haydn, W.A. Mozart and L.V. Beethoven. DMA, University of Maryland, College Park, 2003. Ann Arbor, MI: University Microfilms International, 2003. 14p. ISBN: 0-496-43606-3. UMI No. 3095981. | diss. | 14p |
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| | 266. | Adamson, J. Philip I. | Problems for the Pianist in the Performance of J. S. Bach's Keyboard Works. Selected British Piano Works Composed between 1952 and 1971. DM dissertation, Piano Performance and Literature. Indiana University, 1973. 150p | diss. | 150p |
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| | 267. | Campbell, Robert | Mendelssohn's Te Deum in D: Influences and the development of style. DMA diss., Music: Stanford Univ., 1985. 150p. [DA 8522259] | diss. | 150p |
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| | 268. | Wilde, Alessio John | Per un'interpretazione dei 14 canoni di Bach BWV 1087: implicazioni didattiche e ideologiche. [Towards an interpretation of Johann Sebastian Bach's 14 canons BWV 1087: Didactic and ideological implications] Cremona: Scuola di Paleografia e Filologia Musicale dell'Universita di Pavia, a.a. 1994-1995, 150p | diss. | 150p |
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| | 269. | Fischer, Wilfried | Möglichkeiten und Grenzen der Rekonstruktion verschollener Instrumentalkonzerte Johann Sebastian Bachs. Hamburg, Univ., Diss., 1966. - Neue Bach-Ausgabe. Serie VII, Band 7(Suppl.), Kritischer Bericht. 1971. 150p. | diss. | 150p |
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| | 270. | Waegner, Günter | Die sechs Suiten für das Violoncello allein von Joh. Seb. Bach. Ein Beitrag zur Geschichte des Violoncellos und zur Erkenntnis des Bachschen Personalstiles. Berlin, F. U., Phil. F., Diss. v. 30. Jan. 1957 (Nicht f. d. Aust.), v, 151 gez. Bl. mit eingekl. Notenbeisp. ; 4 [Maschinenschr.] | diss. | 151 Bl |
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| | 271. | Bunn, J. Gregg | A performer's study of three preludes and fugues for organ representing eighteenth-century Germany, nineteenth-century Germany, and twentieth-century France: Johann Sebastian Bach, Franz Liszt, and Maurice Durufle. DMA diss., Southwestern Baptist Theological Seminary, 2004. 151p. ISBN: 0-496-13061-7. | diss. | 151p |
| |||
| | 272. | Liebert, Andreas | Die musikalisch-rhetorische Tradition im 18. Jahrhundert unter besonderer Berücksichtigung des Programmtrios von Carl Philipp Emanuel Bach. Hamburg, Univ., FB Kulturgeschichte, Mag.-Schr., 1988. 152 Bl. | diss. | 152 Bl |
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| | 273. | Roby, Lloyd | Research and transcription procedures to provide additional literature for trombone quartet. DM doc., Music: Indiana U., 1995. 153 p. | diss. | 153p |
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| | 274. | Cho, Yoonju | A Study of Baroque Tempo Practices and Their Applications to the Violoncello Suite No.2 by Johann Sebastian Bach. DMA diss. University of Washington, 1998. 153p (See DissAbstracts 59/06-A, 1958.) | diss. | 153p |
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| | 275. | Funk, Wolfgang | Studie zur deutschen Bach-Auffassung in der Musikgeschichtsschreibung zwischen 1850/70. Eine musikhistorische und ästhetische Untersuchung des Bach-Verstehens im 19. Jahrhundert Münster. Münster, Phil. F., Diss. v. 23. Febr. 1956 (Nicht f. d. Aust.). 154 gez. Bl. ; 4 [Maschinenschr. vervielf.] | diss. | 154 Bl |
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| | 276. | Paolini, Paolo | Il 'Catone in Utica' di Johann Christian Bach: edizione critica, inquadramento storico ed analisi. Cremona: Scuola di Paleografia e Filologia Musicale dell'Universita di Pavia, a.a. 1990-1991. 2 vols, 155, 263p. | diss. | 155, 263p |
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| | 277. | Pribyl, Lieselotte | Das Phänomen der atonikalen Werkeröffnung in der Klaviermusik von Ph. E. Bach bis R. Schumann. PhD diss., Musicology, Universität Wien, 1970. 3v. 155; 178; 273p | diss. | 155; 178; 273p |
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| | 278. | Hoekstra, Thomas Earl | Tempo Considerations in the Choral Music of Johann Sebastian Bach. PhD diss., Choral Music, University of Iowa 1974. 155p. | diss. | 155p |
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| | 279. | Daele, Erna Bertha Eugeen van | Instrumentation and structure in Anton Webern's orchestration of the Ricercar A 6 from Johann Sebastian Bach's 'Musical Offering'. MM diss., The University of Western Ontario, 1995. 156p. | diss. | 156p |
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| | 280. | Melchert, Hermann | Das Rezitativ der Kirchenkantaten Joh. Seb. Bachs. von Hermann Melchert. [Frankfurt am Main], 1958. 156+15p. - Frankfurt/Main, Univ, Phil. F., Diss. v. 24. Juli 1957. | diss. | 156p |
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| | 281. | Czach, Rudolf | Friedrich Wilhelm Rust. Berlin, Univ., Diss., 1927. - Essen: Kauermann, 1927. 156p. | diss. | 156p |
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| | 282. | Märker, Michael | Das vokal-instrumentale Verhältnis in den Arien des jungen Johann Sebastian Bachs. PhD Dissertation - Leipzig: Karl-Marx-Universität, 1984. 157p. | diss. | 157p |
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| | 283. | Metzger, Nancy Doris | The Performer's Goût: a Study of Rhythmic Conventions and their Application to Selected Organ Works of Johann Sebastian Bach. MA diss., California State University, Sacramento / MA, 1978. 157p | diss. | 157p |
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| | 284. | Köhler, Karl-Heinz | Die Triosonate bei den Dresdner Zeitgenossen Johann Sebastian Bachs. Diss. Jena, 1956. 158 Bl [Hauptbed.], 51 Bl [Beispielbd.] | diss. | 158, 51 Bl |
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| | 285. | Harriss, Ernest Charles | Johann Mattheson's 'Der vollkommene Capellmeister': a translation and commentary. DMA diss., Peabody College for Teachers of Vanderbilt University, 1969. 1586p. AAT 7007632 | diss. | 1586p |
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| | 286. | Kim, Mary Byung-Ae | A performer's study of selected sacred solo cantatas by Johann Sebastian Bach, Alessandro Scarlatti, and Georg Philipp Telemann. DMA diss., Southern Baptist Theological Seminary, 2006. 158p. [BWV 84] | diss. | 158p |
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| | 287. | Robinson, Schuyler W. | The B-A-C-H-Motive in German Keyboard Compositions from the Time of J. S. Bach to the Present. DMA diss., Performance, University of Illinois 1972. 158p. | diss. | 158p |
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| | 288. | Burdick, Adam David | The Influence of French Baroque Dance on the Cantatas of Johann Sebastian Bach. DMA diss., University of Washington, 2007. iv, 159p. - Ann Arbor, MI: University Microfilms International, 2007. ISBN: 978-0-549-16075-5. Dissertation No: 3275851. | diss. | 159p |
| |||
| | 289. | Bauret, Gabriel | De la lecture de la partition à l'écoute de l'interprétation, essai de description de 'l'Art de fugue' de J.-S. Bach. Paris: Université de Paris-Nanterre 1976. 159 Bl. | diss. | 159p |
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| | 290. | Krupina, Larisa | Principy polifoniceskogo golosovedenija v instrumental'nyh fugah I.S. Baha. [Principles of vocal part writing in J.S. Bach's instrumental fugues] PhD, Teorija muzyki: Gosudarstvennaja Konservatorija, Kyjiv, 1990. 15p. | diss. | 15p |
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| | 291. | Morris, Ralph Eugene | A performance edition of Bach's violoncello suites, transcribed for viola. DMA diss., Arizona State University, 1991. 160p. | diss. | 160p |
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| | 292. | Elste, Martin | Diskologische Analyse der Kunst der Fuge von Johann Sebastian Bach. PhD diss., Musicology, Technische Universität, Berlin. 1981. 160p | diss. | 160p |
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| | 293. | Higuchi, Mitsuharu | Heikinritsu Klavier Kyokushu, Dai-1-Kan no Fuga ni okeru Seikaku Shudai to Gakkyoku Kozo. [A structural analysis of the Charakterthemen in the fugues from Das wohltemperirte Clavier, book 1.] MA diss., Musicology: Osaka Univ., 1983. 160p | diss. | 160p |
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| | 294. | Harju, Tommi | Kaanonien kaatama? Johann Gottfried Waltherin elämä. [Brought down by canons? The life of Johann Gottfried Walther] Lic, Jyväskylän Yliopisto, 2006. 161p. | diss. | 161p |
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| | 295. | Schultz, John Ahern | The soli-tutti concept in the choral works of Johann Sebastian Bach. DMA diss., Urbana, Ill., Univ. of Illinois at Urbana-Champaign, 1979. 161p | diss. | 161p |
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| | 296. | König, Ingeborg | Studien zum Libretto des Tod Jesu von Karl Wilhelm Ramler und Karl Heinrich Graun. PhD diss., Musicology: Universität Kiel, 1971 - München: Katzbichler, 1972. 163 p. | diss. | 163p |
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| | 297. | Tannenbaum, Michele Horner | Tradition and Innovation in Franz Liszt's Variations on a Motive of Bach. PhD diss.: Kent State University, 1993, 163p | diss. | 163p |
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| | 298. | Krause, Drew Stafford | Musical ambiguity in analysis and composition: Problems of pattern, value, form, and structure. DMA doc., U. of Illinois, 1993. 163p. UMI No. DA9329088 | diss. | 163p |
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| | 299. | Beurmann, Andreas E. | Die Klaviersonaten Carl Philipp Emanuel Bachs. Göttingen, Phil. F., Diss. v. 8. Aug. 1953 (Nicht f. d. Aust.) - [1953]. 164 gez. Bl. mit eingekl. Notenbeisp. [Maschinenschr.] | diss. | 164p |
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| | 300. | Glöckner, Andreas | Die Musikpflege an der Leipziger Neukirche von 1699 bis 1761. PhD diss., Musikwissenschaft: Martin-Luther-Univ., Halle, 1988. 164p, 20p. | diss. | 164p, 20p |
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| | 301. | Bergner, Christoph | Untersuchungen zur Form der Präludien des Wohltemperierten Klaviers von J. S. Bach. PhD diss., Musicology, Tübingen, 1984. 165p | diss. | 165p |
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